备注:已完结
类型:喜剧片
主演:布鲁斯·威利斯 马修·派瑞 阿曼达·皮特 凯文·波拉克 娜塔莎·亨斯屈
导演:霍华德·达奇
语言:英语,匈牙利语,希伯
年代:未知
简介:绰号“郁金香”的杀手吉米(布鲁斯·威利斯 Bruce Willis 饰)得益于搭档牙科医生奥兹(马修·派瑞 Matthew Perry 饰)的帮助,伪造了死亡证明从此退出江湖,以一个全新身份,与妻子姬尔(阿曼达·皮特 Amanda Peet 饰)在海边别墅享受惬意生活。然而这天,一个慌慌张张的访客却打破了吉米苦心经营的平静生活,原来是老友奥兹的妻子辛西娅(娜塔莎·亨斯屈奇 Natasha Henstridge 饰)被黑帮绑架了,他前来央求吉米出手相救。然而吉米早已金盆洗手,将奥兹拒之门外。然而意想不到的是,与吉米曾有过节的黑帮头目拉齐奥(凯文·波拉克 Kevin Pollak 饰)竟带人跟踪了奥兹,遂发现了吉米的老窝并要对他寻仇。事已至此,这位老杀手又只好脱下围裙,拿起手枪,带着妻子和搭档重出江湖…… 本片是喜剧《整九码》的续集。
备注:已完结
类型:爱情片
主演:Flora Martínez Unax Ugalde Manolo C
语言:西班牙语
年代:未知
简介:一个哥伦比亚的漂亮的女杀手,遇到了两个不同类型的追求者。一个是英俊和风流的富家子弟,一个是可爱和腼腆的小兄弟。围绕着爱情、杀手的悲剧宿命、亲情和混乱的时局,Rosario的感情时而炙热、时而疯狂、时而温柔,最后又是无可奈何的撒手人寰。 南美洲的文化和电影手法都有点让我无法适应。一方面是Rosario的兄弟的隆重的以及疯狂的葬礼所表现出的浓重的亲情,另一方面是最终Rosario被自己以前的伙伴杀死的残忍和无情。而且南美地区浓重的宗教情结和热烈的感情表达方式都是中国人所很难接受的。 影片是根据著名的小说改编的,情节上比较紧凑。但是表演上只有Rosario比较出彩,她的杀手兄弟和伙伴都很生动。相比之下,富家子弟的表演就比较平庸。
备注:已完结
类型:剧情片
主演:Perry Dizon 安吉尔·阿基诺 巴特·金戈纳 Hazel Or
导演:拉夫·迪亚兹
语言:菲律宾语
年代:未知
简介:A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.